|
Print
Photography
Course Code |
|
Title |
Introduction to Film Based Photography |
Course Outline |
Course Outline |
Description |
This course introduces students to film based photography. Students learn camera functions, film exposure, gelatin silver based printing, fine tuning of images and image presentation. Emphasis is placed on personal vision and students understanding the relationships between the aesthetics, technical and conceptual concerns in photography. Students are also introduced to the history of photography and are required to draw relationships between their work and historic photographic works. This allows them to better understand their place in the contemporary photographic art world. |
Course Code |
|
Title |
Basic Digital Imaging |
Course Outline |
Course Outline |
Description |
This course addresses aesthetic, conceptual and technical concerns in digital photography. Basic level Adobe Photoshop and other relevant software instruction will occur. It is important to note that this course is first and foremost about image making. The computer will be used as any other tool is used in the creation of art. An adjustable digital camera is required (small, medium or large format). |
Course Code |
|
Title |
Intermediate Photography |
Prerequisite |
PHO 201 and PHO 202 |
Course Outline |
Course Outline |
Description |
This course addresses aesthetic, conceptual and technical concerns in photography. Instruction includes darkroom experimentation with papers, toners, and films, experimentation with lighting techniques and new means of alternative digital image-making. |
Course Code |
|
Title |
Photographic Lighting |
Prerequisite |
PHO 301 |
Course Outline |
Course Outline |
Description |
Photographers who work mainly on location and outdoors generally learn to treat light as a condition - something to be anticipated, assessed for its suitability, and exploited by various techniques.
Moving into a studio, however, creates a fundamental change, not only in technique but also in attitude. The lighting is no longer a given condition, but one that is completely malleable. It is for the photographer to decide what lighting effect is desirable, and then to construct it.
This course involves an intensive study into the techniques and applications of artificial and available light as it relates to still photography. Students are required to complete a series of technical and aesthetic photographic assignments.
|
Course Code |
|
Title |
Alternative Photographic Processes |
Prerequisite |
ART 305 |
Course Outline |
Course Outline |
Description |
This course explores the world of historic and contemporary alternative photographic processes. Students learn a variety of processes that help expand their understanding and use in the syntax of photography. |
Course Code |
|
Title |
Photographic Portraiture |
Prerequisite |
PHO 305 |
Course Outline |
Course Outline |
Description |
Many people, including photographers, have preconceived or set ideas of portraiture photography. Portraiture encompasses a wide array of styles and techniques that date back far before the advent of photography. This course will cover the proven methods of not only portrait photographers, but all artists who deal with the human portrait. Students will be encouraged to integrate proven techniques with original ideas in the development of their own personal vision. |
Course Code |
|
Title |
Color Photography |
Prerequisite |
PHO 305 |
Course Outline |
Course Outline |
Description |
This course will explore the effective use of color and light as a creative means for visual communication. Students will take their own traditional or digital photographs and then utilize various digital photographic techniques, including image scanning and color digital printing. Color theory, correct exposure of color slide and negative films, use of color as an element in photographic design, and the psychology of color will be covered. Upon successful completion of the course, students will demonstrate learned concepts and observations specific to photographic image making, color theory and design. |
Course Code |
|
Title |
Advanced Digital Imaging |
Prerequisite |
PHO 305 |
Course Outline |
Course Outline |
Description |
Students will continue to develop their creative conceptualization skills and practice using advanced-level techniques in Adobe Photoshop and Lightroom as they create a number of visually compelling images. Projects will address visual problem solving for commercial applications and digital imaging as an emerging medium in fine art. Students should have basic knowledge of Photoshop and design composition skills prior to registering for this course. |
Course Code |
|
Title |
The Photograph as Narrative |
Prerequisite |
PHO 305 |
Course Outline |
Course Outline |
Description |
Exploration of photography as a device for telling stories, fictional and nonfictional. This course allows for further development and refinement of technical, conceptual and formal qualities and is designed so that the student can produce and prepare portfolio quality images addressing various conceptual concerns dealing with narrative aspects of photography. |
Course Code |
|
Title |
Commercial Photography |
Prerequisite |
PHO 305 |
Course Outline |
Course Outline |
Description |
Emphasizing creative solutions to complex photographic problems, this course is for those interested in discovering the versatility and creative potential of the studio environment as it relates to the commercial world of photography. Students build upon skills developed in Basic Photographic Lighting, gaining a stronger understanding of both studio and location lighting. The course focuses on still life, food, fashion, product and editorial photography. Students are also introduced to professional studio practices and management. |
Course Code |
|
Title |
The Photograph as Book |
Prerequisite |
PHO 305 |
Course Outline |
Course Outline |
Description |
This course revolves around the integration of photographic imagery with the book. Students will explore various bookmaking techniques and uses of photography in book form along with the history of the photo book. |
Course Code |
|
Title |
Architectural Photography |
Prerequisite |
PHO 305 |
Course Outline |
Course Outline |
Description |
Documentation and exploration of architecture through the lens of the camera. Special attention is paid to framing and composition of buildings in the context of their surroundings. Instruction in medium and large format photography, lighting, and analog/digital darkroom techniques. |
Course Code |
|
Title |
The History and Aesthetics of Photography |
Course Outline |
Course Outline |
Description |
This course examines the history and aesthetics of photography and the important role this medium of expression has held since its “discovery” in 1839. A chronological/genre approach to the exploration of this medium will be used to demonstrate the important contributions that this art form has made to the history of art. The use of photography as an expression of humanistic, religious, and social values will also be considered. Students will also explore the mixing of process with the history of the medium, developing a photographic project that is informed through their understanding of photographic history. |
Course Code |
|
Title |
Photographic Portfolio Development I |
Prerequisite |
Any two courses from pho 350-357 or permission of the instructor |
Course Outline |
Course Outline |
Description |
The Photographic Portfolio Development I course is designed so that the photography student can produce and prepare several mini portfolios of work in various areas of photographic specialization. Students are given various assignments to explore different topics. These can include, but are not limited to; fine art, commercial, documentary or portraiture. Emphasis is placed on technique, aesthetics, and conceptual concerns. This work is done with close supervision and mentoring from the photography faculty. |
Course Code |
|
Title |
Photographic Portfolio Development II |
Prerequisite |
PHO 401 |
Course Outline |
Course Outline |
Description |
The Photographic Portfolio Development II course is the second in the portfolio development series. Photography students produce and present a portfolio of work based on an area of photographic specialization that will assist them in gaining employment or continuing their education. Photographic topics can include, but are not limited to; fine art, commercial, documentary or portraiture. Emphasis is placed on technique, aesthetics, and conceptual concerns. This work is done with close supervision and mentoring from the photography faculty. Work is contract based as agreed upon with the instructor. |
Course Code |
|
Title |
Professional Business Practices in Photography |
Prerequisite |
Any two courses from pho 350-357 or permission of the instructor |
Course Outline |
Course Outline |
Description |
This course addresses issues concerning photographers in the early years of their professional lives. It presents the career options and practical information they need. It explains structures and systems in the art and business worlds: the operation of art venues, funding, business issues, legal issues, etc. |
|